Context Mediation
HairScapes Experiments
Phase 3
(02)
//1
However there was not enough time to do this hence I started looking into 1 artist,
that is Laetitia Ky. This decision helped me to narrow down.
//2
Aspects of the Hair Braiding or plaiting experiemt tests
Hair Timings - Time, - The time it takes to do ones hair can vary
from one style to another.
Hair Connections - Social connection, - The interaction/discussions that
occurs between a hairdresser and the hair-dressed even if meeting them
for the first time.
Hair Culture/Suppressions - Cultural suppression, - How our hair was once
seen as not good enough.
Hair Proximity/Intimacy - Closeness, Proximity and intimate positions of hair
application.
Hair Textures - Textures, The different hair textures, from ABC - hair
porocity etc.
Hair Stylings - Styling/Sculpting, - The different hair stylings after the
braiding process.
Ideas for the final output of performers wearing cohesive attires
//3
The aspects are also broken down in this section to create an ambience.
Even though these were tests theye were representative of the actions of
the performers. However the aspect of space was not applied.
//4
Giving the performers instructions
that on what the need to do in actions.
Outfit and hair looks. The discovery of such information through the interviews,
gave me the role of the choreographer.
//4
We were also applying to the moving around the location to get the feeling of the
space and also to find the different reactions in the differents parts of the Theater.
Using the stairs, the already set up sitting spots by the stairs.
//5
The were reactions and attention which came towards us.
But more research and tests had to be done to truly look into
this topic of performance in outside spaces.
//7
This image is a moodboard, with research that has the first steps of actions,
in the realm of exhibition, artworks and installations.
//6
In this test there is a keen interest in curating the setup and the communication
we are engaging in while doing the process. Also testing of the outfits and increasing
the numbers of people in the setting to see the differences and application of these
if they embolden the performance.
//7
Short Clips of the pilot tester with more performers and
colour coordination of Black and white outfits.
//8
Communication for the Performers:-
- To engage with people and come in at different points of the act.
- To start undoing my hair extensions by cutting the ones I have off
- a skill they already have knowledge about.
it in such a public setting is not really common and it is a radical move.
People were definitely watching us however noone joined.
Sound was definitely a factor that would have an impact on the people.
//10
This initial designs were colourful and had coils and curls to represent the
hair textures and the uniqueness of the our hairtype.
The statement of women of colour became an idea that ran through in my
following sketches to make the performers to standout.
//11
This information from paper, was interesting to start the conception
of installation ideas and create ideas with cultural levels.
//14
Curating the space and program was necessary and speaking to the Keabetswe
Boccomoni who runs Afrinova and following Walesca Frank who runs Black Stammtisch
a community page and space for black experiences.
The
path way for a performative, community based and identity base on an instagram
page became important to reach other people and therfore this online platform began.
I also started to look at African/African Diaspora, Artists who presented and exhibited their work in Switzerland.
I also started to look at African/African Diaspora, Artists who presented and exhibited their work in Switzerland.
I also started to look at African/African Diaspora, Artists who presented and exhibited their work in Switzerland.